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小松 良和

KOMATSU Yoshikazu

 

小松 良和
1949
長野県伊那市西箕輪に生まれる
1969
上京、すいどーばた美術学院で学ぶ
1970
東京藝術大学美術学部絵画科油絵専攻入学
1972
すいどーばた美術学院講師
1973
三成会(さんじんかい)参加
1974
東京藝術大学卒業、渡欧
1976
同大大学院修士課程修了
1979
すいどーばた美術学院退職 秀明学院美術講師
1981
長野県野沢南高等学校美術科教師
1983
長野県塩尻高等学校に転勤
1984
自宅にアトリエ完成
1985
逝去(36歳)
収蔵
ダイムラー・クライスラー・日本ホールディング株式会社、和歌山県立近代美術館、ドイツ銀行など
(Text omitted) When you follow a well-prepared plan and execute it, no, you “attempt” to do so, it makes you nervous to feel that the reality veers off your initial plan little by little. In this case, you should resign yourself to reality itself.
The reason why the paintings which I previously made looked faded was due to the fact that I scribbled toward rendering the image of, “the painting I was thinking of would be like this.” In other words, it resulted from averting my eyes from the reality of my painting in which everything looked differently with every brush stroke. By switching my way of thinking to something like, “Yes, indeed, I’m traveling right now,” I discovered that I came upon a new horizon of creating my work. (Omission)
My painting changed a lot. Concentrating on reality, I became aware that oil colors weren’t suitable material for my work, where, a simplistic idea, such as, “only to draw a line on paper by pencil is enough,” is allowed. Just like traveling, my production should be part of reality as if following Mother Nature. However, I may indeed encounter a number of crossroads from now on. To continuously expose to reality my frame of consciousness, which becomes rusty and blurred in everyday life, is what my life and creating art are.
References:Text b y K OMATSU Yoshikazu. K omatsu, R ieko. “Works by KOMATSU Yoshikazu,” published by SHOUSHINSha, 1986

おもな作品発表歴

1974 - 1980  
「三成会展」(ギャラリーみぞくち・旧信金ホール/伊那市)
1976
個展(銀座スルガ台画廊/東京都)、「NO-TOUCH」(藍画廊/東京都)、「大橋賞展」(東京セントラル美術館/東京都)、「資料化展」(神奈川県民ホール/神奈川県)
1977・1978
「TOMORROW展No.1・2」(銀座スルガ台画廊/東京都)
1977・1979・1980
個展(白樺画廊/東京都)
1978
個展(藍画廊/東京都)、「プロクセミックス展」(立川市市民会館/東京都)、「渋谷・どり・10人・35日展」(渋谷ギャラリーどり/東京都)
1979・1980
「PLANNING-PROJECT No.1・2」(サトウ画廊・開催地不明/東京都)
1980
「机上の現場展」(ルナミ画廊/東京都)、「隣接性展」(Gアートギャラリー/東京都)
1981・1982
個展(田村画廊/東京都)
1981
「オペラ展」(東京都美術館/東京都)
1984
「大橋賞受賞作家展」(髙島屋/東京都・大阪府)
「夫婦二人展」(ベルシャイン/伊那市)
1985
「今日の作家展」(辰野町郷土美術館/辰野町)
「現代の作家展」(長野県信濃美術館/長野市)
1986
遺作展・宿営地-(東京藝術大学大学会館・田村画廊/東京都、辰野町郷土美術館/辰野町)
2001
常設展特集展示(辰野美術館/辰野町)
2003
「伊那谷の美シリーズ5  今、よみがえる小松良和展」(長野県伊那文化会館/伊那市)

おもな受賞歴

1974
大橋賞受賞

Essay on KOMATSU Yoshikazu

KOMATSU Yoshikazu won the Ohashi Prize, a Scholarship, which is awarded only to the most excellent students of the Tokyo University of the Arts. The 1970s was the golden age of the “Mono-ha,” or “School of Things.” In those days, the Artists’ Joint Struggle League (Bi-kyoto) denied artistic expression, but the artists that belonged to it gradually lost their production concepts. Most artists in the 1970s tended to be strongly influenced by this movement. KOMATSU also switched from painting to installation and denied painting itself as well. After returning to his hometown, while teaching art at high school, he started painting once again. In this exhibition, his works after his “return to painting” are on display.
Because of his early death, his pursuit of painting came to a halt.
Nevertheless, his calm but concealed savage spirit in his paintings are fascinating.

Otake, Nagaaki / TOMI CITY UMENO MEMORIAL MUSEUM OF ART

[安曇野会場] 終了しました

2021.8.14sat - 9.12sun

安曇野市豊科近代美術館

9:00-17:00休館日 = 月曜日(祝日の場合は翌日)

 

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