このサイトは過去のシンビズム5をアーカイブしたサイトです

 

インスタレーション

横山 昌伸


YOKOYAMA Masanobu

Seeing is fighting. Seeing is being trapped in the format of an institutionalized ready-made product. Seeing motifs, simply seeing, could offer cues to destroy and go beyond the visual system. The power of the system is so tremendous as to frustrate us, however, as a result, it may enable us to find traces of our predecessors’ battles, here and there, like a mirage. The battle against format is not limited to fine arts. Though it is effective and smooth to live a life with ready-made products, it simply lacks vitality. You can see the “vanitas” movement, not only in still-life paintings, but also everywhere on a daily basis, where life, distancing itself from format, and death, pulling the format back, flip over and invert the opponent with each other, using their forces, from which you can take your cue for creating works.
《still life series 150627》 2015年

 

《still life series 150627》 2015年

略歴

1982

長野県松本市生まれ

2006

早稲田大学社会科学部卒業

2011

東京藝術大学美術学部先端芸術表現科卒業

2014

東京藝術大学大学院美術研究科先端芸術表現専攻修了

2020

東京藝術大学大学院美術研究科博士後期課程修了(美術博士)

おもな作品発表歴

2011

東京藝術大学卒業・修了展示(BankArt Studio NYK/神奈川県)
ISE Cultural Foundation 美術学生展 in NY(NY, USA)
同受賞者展 (NYCoo Gallery 2011/NY, USA)
souce sight no.4 (ソースファクトリー/東京都)

2014

東京藝術大学大学院美術研究科修了展(東京藝術大学附属美術館/東京都)

2015

étude展(東京藝術大学/東京都)

2019

東京藝術大学大学院美術研究科博士審査展(東京藝術大学附属美術館/東京都)

2022

来歴の煙(アンフォルメル中川村美術館/中川村)

おもな受賞歴

2011

NY市民賞(ISE Cultural Foundation)

YOKOYAMA Masanobu not only does research on the theme of still life, but also produces his works on the same theme. Based on the historical fact that still life transformed from “copying nature,” to “executing visual experiments,” he attempts to verify how the way of seeing was institutionalized from various points of view, such as the physiological or brain-scientifical visual systems, mental vision, and so on. Moreover, he himself practices producing “still-life” works as examples of reconstructing “perception.” The “Still Life Series,” exhibited here, are works created from the same motif, based on photos shot partially under different lighting, points of view, and focuses, and then, compiled into the shape of a grid as a whole. His works, by disassembling our visual system, ask viewers what it means to “see.” This time, his stay for the sake of production as an artist in residence, in the institution of Koumi-machi, will assist him in proceeding to a new practice.

Koumi-machi Kougen Museum of Art

Nakajima, Minoru

会場情報

終了しました

2023

09.16SAT  

11.12SUN

小海町高原美術館

> 詳細を見る

> 地図を見る

  • 長野県南佐久郡小海町大字豊里5918-2
  • 0267-93-2133
  • 火曜休、祝日の翌日休
  • 9:00-17:00(入場は16:30まで)
小海町高原美術館
  • ・中央自動車道「須玉IC」、上信越自動車道「佐久IC」、中部横断自動車道「八千穂高原IC」より国道141号線を経て、「松原湖 入 口」の信号を松原湖方面へ約4㎞。
    ・中央自動車道「須玉I.C」から美術館まで約47km
    ・上信越自動車道「八千穂高原I.C」から美術館まで約14km