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写真

丸山 晋一


SHINICHI Maruyama

I would like to discover and express phenomena that cannot be seen with the naked eye by utilizing technology. I was born and raised in Nagano and enjoyed shooting my favorite subjects with my cameras. I worked at various projects in Tokyo and abroad, and am now looking for subjects I wish to shoot. I cannot continue working at the same project because I have a restless personality that dissuades me from doing the same thing, so I still feel like shooting subjects I like or have never seen. I sometimes think I’m returning to my origin. I really appreciate having been given the opportunity to exhibit my works here at home this time.
《Light Sculpture #19》 2019年

 

《Light Sculpture #19》 2019年

略歴

1968

長野県生まれ、千葉大学画像工学科卒業

1993

フリー写真家として活動開始 

1998

博報堂フォトクリエイティブ

2003

ニューヨークへ移住

2019

ニュージーランドへ移住

おもな作品発表歴

2001

写真集「SPITI」「Into The Spiti Valley」、写真展「SPITI」(ギャラリーロケット/東京都)

2007

「125 Magazine Japan Issue」展(ポール・スミス・スペース/東京都)

2007・09・11 

「AIPAD」(Miami, USA)

2008・11−13・19 

「Paris Photo」(France)

2009

「Kusho」(Bruce Silverstein Gallery/NY, USA)
「空書-Kusho-」(Blitz Gallery/東京都)
「Spheris Gallery」(NY, USA)

2009−11・13 

「Art Basel」(Basel, Switzerland)

2009・11−13 「Art Basel Miami Beach」(Miami, USA)

2009・11−14 

「The Armory Show」(NY, USA)

2010

「PULSE」(Miami, USA)

2011

「GARDENS」(Bruce Silverstein Gallery/NY, USA)
「Water Sculpture」(Carnegie Hall/NY, USA)

2012

Art Fair(The Peabody Essex Museum/Salem, USA)

2013

「Nudes」(Bruce Silverstein Gallery/NY, USA)
Art Fair(Boghossian Foundation/Brussels, Belgium)
Art Fair(The Crow Collection/Dallas, USA)

2014

「Outside Looking In」(Lesley Kehoe Galleries/Melbourne, Australia)

2015

「The International Show」(NY, USA)

2019

「DRAWING THE LINE」(Bruce Silverstein Gallery/NY, USA)

2023

「Shinichi Maruyama: Photographs 2006−2021」(Blitz Gallery/東京都)

MARUYAMA Shinich pursues “beauty invisible to the naked eye.” The subject of most of his works is real liquid with mass. He contains liquid dancing in the air into an analog medium as fine pieces of photographs, such as “Kusho,” “Light Sculpture” and “Water Sculpture.” MARUYAMA captures and expresses beauty as being “artificial and natural” because even if he shoots the subjects according to his methodology built on his repeated experiments, a natural power still influences his works. Because of that, we view the interesting sequence of his choices against his intervening intention and act of shooting. His works will give you a unique opportunity to reconsider the materiality of contemporary artistic photography.

Takahashi Setsuro Art Museum of Azumino

Tominaga, Junko

会場情報

終了しました

2023

12.03SUN  

2024

01.14SUN

信州高遠美術館

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  • 長野県伊那市高遠町東高遠400番地
  • 0265-94-3666
  • 9:00-17:00(入場は16:30まで)
  • 火曜休、2023.12.28-2024.01.03、2024.01.10休
信州高遠美術館
  • ・諏訪インターチェンジから国道152号を経由50分
    ・伊那インターチェンジから国道361号を経由30分